Dulcimer Making – My Process

My workbench, or as I prefer to call it, my happy place!

My dulcimer making process is consistently inconsistent.

Maybe a better way to say that is my methods and design are in a constant state of evolution.

There are certain measurements and features that need to be precise; fret placement, fretwork, setup, action, bridge compensation, string spacing, etc., but when it comes to exact body shape and size, bracing, thickness or thinness of the top, sides and back, and just about every other detail, they are unique to each dulcimer.

My methods of work suit my temperament. I like to work by feel and intuition, and most of the work is accomplished using traditional hand tools. I like to get intimate and personal with my work, and I let the wood dictate a lot of where the final design is heading.

Because of how I approach dulcimer making, I don’t make parts in bulk. I tried that for a short time, and I found it creatively constraining. I prefer to make each part for each dulcimer, and the proportions of each part are based on all the other parts as the dulcimer comes together. Making a dulcimer is like watching a plant grow.

That’s how I do this. My methodology would be ineffective if I was trying to produce dulcimers in a more economically viable quantity, but anytime I have tried doing production work, even on a small scale, I don’t enjoy the process, as it feels like I am manufacturing rather than crafting, and it is the process of crafting I enjoy and love.

My blog posts have become infrequent, but I regularly post photos of the thrill and adventure of being a dulcimer maker on Instagram.

Working With What You Have To Work With

This post isn’t about the various tools or materials I use when making dulcimers. It is about working with the body I have to work with.

I was part of a panel discussion last week about how disability affects one as an artist or artisan, and before the event, I was interviewed by a local public radio station.

You can listen to the short interview or read a transcript by following this link.

Having Fun With Edges Of A Dulcimer Peghead

Detailing the edges of a dulcimer peghead.

Though the basic pattern is the same, each dulcimer peghead I make is a little different from the others. Sometimes the size and shape of the peghead may vary and/or the more subtle details, like the shape or bevels on the edges, may be unique.

This is in part because I work on the peghead until it looks right to me on the particular dulcimer where it will spend its life. It is also because I thoroughly enjoy working with edge tools and files, and shaping the edges of the peghead present the opportunity to have fun!

For the long edges of the peghead, I begin the bevels with a block plane, on shorter straight sections I begin with a chisel, and on curved areas, I start with a knife.

Detaling the back of a dulcimer peghead.

A small scraper and a file clean things up and round or soften the edges as needed.

I regularly post photos of my work in progress on Instagram.

Instagram Ate My Dulcimer Blog

Dulcimers on Instagram

I make blog posts about the adventurous life of being a dulcimer maker far less often than I used to. There are several reasons for this.

Like many who have been blogging for years, it has been more difficult to find something to write about that I have not previously written about. Often, when writing a post, I’ll see that I have already used the same title in the past, or I have previously covered the topic in another post.

There are times when revisiting a topic makes sense. I am constantly modifying the design of my dulcimers and my methods of work continue to evolve, so sometimes there is something new to be said about it

While working in the shop, I have found it easy to take an occasional photo, and since my camera is my phone, it is easy to add a brief description and post it on Instagram.

I will be continuing this blog, and I plan to make more music related posts in the near future. I now have a decent video camera, and I plan to post videos of my dulcimer playing, dulcimer tablature, instructional videos, etc. There will still occasionally be posts here about dulcimer making, but if the day by day thrills and chills of making dulcimers is of interest to you, I invite you to follow my posts on Instagram.

If you don’t use Instagram, I mirror my Instagram posts to this page on my website.

As 2020 Comes To A Close

Appalachian Mountain Dulcimers by Doug Berch in progress.

As the year comes to a close, I have several dulcimers in the home stretch. My dulcimer design continues to evolve, and I have recently begun preparing to build a new model or two or three in addition to my standard and baritone dulcimers.

Over time, I have learned that I was not made for embracing mass production, and I no longer worry about how to make more dulcimers in less time. Instead, I am continually taking steps towards older technology and methods of luthierie, woodworking, and finishing techniques that have stood the test of time. The older methods work well, but some of them (not all) take more time and require skills that appeal to me more than the skills required to use modern technology.

In the coming year, I hope to be using primarily old-school, non-toxic finishes. Tests on wood samples are beautiful visually, and I am near completion on the first dulcimer that will be the test for how a new “old” finish sounds. As I carried the dulcimer across the workshop the other day, I could easily feel voices from the radio resonating in the dulcimer, and that is always a good sign!

I am also honing the skills to leave more wood surfaces as they look and feel straight from a hand tool rather than how they look after sanding. This is common in violin making, but less often seen in modern fretted instruments. Sandpaper will still be a part of my life, but it is not needed as much as one would think. Scrapers and files can leave a lovely surface and are quiet and far less messy.

This is how I like to work. It makes me happy.

I wish you all a happy and healthy Holiday season. Please keep yourself and others safe.

I regularly post about dulcimers in progress on Instagram and you can follow me there for thrills and chills!

What’s On The Bench – July 23rd, 2020

Splitting and shaping spruce for dulcimer soundboard bracing

On the bench is the setup I use for making dulcimer soundboard braces.

I use several small, light braces to help control stiffness, tonal response, and protect the area around the soundholes from developing cracks.

I usually use spruce for the soundboard braces regardless of the type of wood used for the soundboard. Spruce is light, stiff, and strong. This is why spruce is often used for making soundboards, boats, and airplanes!

The spruce I use for soundboard braces comes from soundboard off-cuts.

The braces are narrow and thin and get shaved down further after being glued to the soundboard. I have no standard dimensions for bracing; I determine the final size and shape of the braces by how flexible the soundboard feels in my hands and what kind of response it gives when tapped in different areas.

I split the stock for the braces with a knife or chisel. Splitting, as opposed to cutting, assures the grain will run the full length of the brace, making the brace stock as stiff and strong as possible. Some of the braces could be confused for large splinters, so having long, straight grain is, in my opinion, essential for them to do their job well.

After splitting the brace stock, I carve away any rough spots preventing them from being rectangular with a knife or chisel and finish them up on a plane clamped upside down in a vise. The braces are simultaneously cut to length and beveled on the ends with a sharp chisel.

While writing this post, I remembered I had written about this same process before, but over the years my methods have changed and evolved. Such is life, and that’s a good thing.

I regularly post photos of dulcimers in progress on Instagram. I have yet to become a lifestyle influencer, but if you like seeing dulcimers being made, you might enjoy following me there.

Dulcimers In The Time Of COVID-19

Walnut and sassafras dulcimer by Doug Berch

My day-to-day life during the COVID-19 pandemic is in many ways similar to my day-to-day life before the COVID-19 pandemic.

My dulcimer workshop is on the second floor of the house and I have a few power tools in the basement. There are stacks of wood on the porch and in the attic. There is not much of a line between my life and my work and this makes me happy.

As my health allows (an ongoing adventure) I make dulcimers, make music with dulcimers and other instruments, give music lessons via live streaming, go for walks on a nearby trail, and spend a lot of time at home.

My wife has been able to work from home during Michigan’s “Stay-At-Home” order and we easily adjusted to spending more time together during the day. The biggest challenge, which was actually very small, was figuring out how we could both be comfortable in the house while simultaneously talking on the phone or having streaming video chats with people who are not each other. No biggie. We got married years ago because we like being together and that hasn’t changed.

I have been posting less on this blog because, like many bloggers writing about a certain topic for many years, there are fewer new adventures to report. Life and work go on and on.

I have been using Instagram far more for regular updates of work in progress. I am still hoping to post videos of my music here as I get better at making them with my phone. On a good day when the planets are aligned I have been able to record videos where you can see me, the dulcimer being played, and hear the music I’m making with clarity and decent sound quality. Unfortunately, the planets are not aligned on all days and I often get frustrated trying to make a decent video. I’m working on it.

Most importantly, I hope you are well and safe and getting by as well as one can during this strange and challenging time.

We are all in this together. Let’s take care of each other.