Containing all the useful theoretical, practical, and technical parts of musick. Being a new and correct introduction. to all the rudiments, terms, and characters, and composition in all its branches. With several scales for musical instruments; and philosophical demonstrations, on the nature of sound. Laid down in so concise and easy a method, as to be understood by the meanest practitioner, whether vocal or instrumental, by way of question and answer
The full title in all its glory: “The Reed Organ; how to give it the proper care, simple complaints and easy remedies. With full explanations of the value of the stops, and directions for their proper use.”
Simple advice on basic repairs, maintenance and use of the reed organ. Put out by Sears, Roebuck and Co. to compliment the reed organs they sold. Like many things coming from Sears these organs were manufactured by other firms and the advice given applies to most any reed organ.
You never know when you will need it, so as the cover says; “Hang this in the back of your organ where you can always find it.”
I often use Adirondack spruce soundboards on dulcimers with walnut back and sides.
Adirondack spruce was used for the soundboards of many classic fretted instruments made before World War II. It was also used to build airplanes and in other applications requiring a strong, light and stiff timber.
Adirondack spruce was over-cut and for many years was not readily available. It is slowly making a comeback thanks to careful forest management.
Like many old books the full title is somewhat long; you can get the book at the always wonderful Internet Archive:
I came across this book while doing research on varnish-making:
The title alone provides a good read –
“Valuable Secrets Concerning Arts and Trades: or, Approved directions, from the best artists : for the various methods of engraving on brass, copper, or steel. Of the composition of metals, and varnishes. Of mastichs and cements, sealing-wax, &c. Of colours and painting, for carriage painters. Of painting on paper. Of compositions from limners. Of transparent colours. How to dye skins or gloves. To colour or varnish copper-plate prints. Of painting on glass. Of colours of all sorts, for oil, water, and crayons. Of the art of gilding. The art of dying woods, bones, &c. The art of moulding. The art of making wines. Of the various compostions of vinegars. Of liquors and essential oils. Of the confectionary art. Of taking out all sorts of spots and stains.” (1795)
I love this stuff!
Learn methods of work from the past! Amaze your friends!
I had the joy and pleasure of performing and teaching at The Lone Star State Dulcimer Festival in Glen Rose, Texas last weekend. It had been about 23 years since I had been to this festival and it is just as fun and wonderful as I remembered. Thanks Dana!
On Sunday at noon a group gathered and did some shape-note singing, often referred to as Sacred Harp singing. The Sacred Harp consists of the combined voices of all the singers; that is the instrument!
I have heard Sacred Harp shape-note singing many times on recordings and several times sung by a small groups of people. I have always found it quite powerful and moving.
This was the first time I had experienced a large group of people singing Sacred Harp.